Need to know how to break in a speaker?
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- Duke of Orange
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I found the following on the Celestion web site and thought it might be helpful:
<b>How do I break in my speakers?</b>
"Important Note! Before breaking it in it's advisable to "warm up" the speaker gently for a few minutes with low-level playing or background hum.
Break in a speaker with a fat, clean tone: turn up the power amp volume to full, and control the level with the preamp gain. Use a level that will be quite loud, but not painful in a normal size room.
Have the bass and mid up full, and the treble at least half. On your guitar, use the middle pick up position (if your guitar has more than one pick up) and play for 10-15 minutes using lots of open chords, and chunky percussive playing. This will get the cone moving, and should excite all the cone modes and get everything to settle in nicely. The speaker will continue to mature over the years, but this will get it 95% of the way to tonal perfection in the shortest time."
<b>How do I break in my speakers?</b>
"Important Note! Before breaking it in it's advisable to "warm up" the speaker gently for a few minutes with low-level playing or background hum.
Break in a speaker with a fat, clean tone: turn up the power amp volume to full, and control the level with the preamp gain. Use a level that will be quite loud, but not painful in a normal size room.
Have the bass and mid up full, and the treble at least half. On your guitar, use the middle pick up position (if your guitar has more than one pick up) and play for 10-15 minutes using lots of open chords, and chunky percussive playing. This will get the cone moving, and should excite all the cone modes and get everything to settle in nicely. The speaker will continue to mature over the years, but this will get it 95% of the way to tonal perfection in the shortest time."
Greg
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- Orange Master
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<blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by smo</i>
<br />Cool,
thanks - i'll be doing this myself very soon - by freak coincidence i was just wondering about this a few days ago.
Thanks
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
Glad I could help. It only took me 448 posts before I finally contributed something useful! :D
<br />Cool,
thanks - i'll be doing this myself very soon - by freak coincidence i was just wondering about this a few days ago.
Thanks
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
Glad I could help. It only took me 448 posts before I finally contributed something useful! :D
Greg
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- Prince of Orange
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Some speakers take longer to settle in that others. I just left a CD player running through mine for a good few hours. I'm also using the, "i'm just breaking in my speakers" explanation with my housemates to enable me to play loud!
Joe
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Orange AD15, Matamp 1224, Fender 'JD' Tele, G&L ASAT, Duesenberg Starplayer TV, Eggle Kanuga, Avalon D25, Warwick FNA Jazzman, Eden Nemesis / Bergantino EX112S, Eastman MD305 & other stuff...
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<blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by Norrin Radd</i>
<br /><blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by smo</i>
<br />Cool,
thanks - i'll be doing this myself very soon - by freak coincidence i was just wondering about this a few days ago.
Thanks
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
Glad I could help. It only took me 448 posts before I finally contributed something useful! :D
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
My first laugh of the day! This was good.
As far as breaking in speakers, I always thought it was a myth! Interesting to see that Celestion actually has advice about it...
<br /><blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by smo</i>
<br />Cool,
thanks - i'll be doing this myself very soon - by freak coincidence i was just wondering about this a few days ago.
Thanks
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
Glad I could help. It only took me 448 posts before I finally contributed something useful! :D
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
My first laugh of the day! This was good.
As far as breaking in speakers, I always thought it was a myth! Interesting to see that Celestion actually has advice about it...
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- Prince of Orange
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My Century Vintages sound a bit freer & less brittle now. I've been running them with either guitar or CD at loud volume for a couple of dozen hours at least though... I think Celestion are erring on the easy side with their, "give it some hum for 15 mins."
Joe
G(sus) saves
Orange AD15, Matamp 1224, Fender 'JD' Tele, G&L ASAT, Duesenberg Starplayer TV, Eggle Kanuga, Avalon D25, Warwick FNA Jazzman, Eden Nemesis / Bergantino EX112S, Eastman MD305 & other stuff...
G(sus) saves
Orange AD15, Matamp 1224, Fender 'JD' Tele, G&L ASAT, Duesenberg Starplayer TV, Eggle Kanuga, Avalon D25, Warwick FNA Jazzman, Eden Nemesis / Bergantino EX112S, Eastman MD305 & other stuff...
Play it. I have been around many professional musicians that make a good living, they get amazing tone and none of them ever "break in" new cabinets. My technician said that the chances of the human ear detecting a differece between a played speaker and a new one at concert volumes is very unlikely. It is not as crucial as some people make it out to be.
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- Prince of Orange
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I think it is if you mic it up. I played a gig shortly after my new speakers were in, and they did sound brittle. A non-muso probably wouldn't think, "that speaker is new," they'd just hear that maybe the sound wasn't quite as good as it was on that other gig...
Besides, quite a few places that supply cabs now break in the speakers for you.
Besides, quite a few places that supply cabs now break in the speakers for you.
Joe
G(sus) saves
Orange AD15, Matamp 1224, Fender 'JD' Tele, G&L ASAT, Duesenberg Starplayer TV, Eggle Kanuga, Avalon D25, Warwick FNA Jazzman, Eden Nemesis / Bergantino EX112S, Eastman MD305 & other stuff...
G(sus) saves
Orange AD15, Matamp 1224, Fender 'JD' Tele, G&L ASAT, Duesenberg Starplayer TV, Eggle Kanuga, Avalon D25, Warwick FNA Jazzman, Eden Nemesis / Bergantino EX112S, Eastman MD305 & other stuff...
<blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by vinyl</i>
<br />Play it. I have been around many professional musicians that make a good living, they get amazing tone and none of them ever "break in" new cabinets. My technician said that the chances of the human ear detecting a differece between a played speaker and a new one at concert volumes is very unlikely. It is not as crucial as some people make it out to be.
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
How many of us are at concert volumes at any time, even in our professional careers? Most of us play the bar and club scene, and never get past that....
<br />Play it. I have been around many professional musicians that make a good living, they get amazing tone and none of them ever "break in" new cabinets. My technician said that the chances of the human ear detecting a differece between a played speaker and a new one at concert volumes is very unlikely. It is not as crucial as some people make it out to be.
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">
How many of us are at concert volumes at any time, even in our professional careers? Most of us play the bar and club scene, and never get past that....
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- Orange Master
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<blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by vinyl</i>
<br />Play it. I have been around many professional musicians that make a good living, they get amazing tone and none of them ever "break in" new cabinets. My technician said that the chances of the human ear detecting a differece between a played speaker and a new one at concert volumes is very unlikely. It is not as crucial as some people make it out to be.
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote"><font size="1">I'm not sure I agree with that. It obviously depends on the speaker...and the amp, and your playing style. But i've heard HUGE differences in speakers out of the box vs. being played for a while. V30's especially. My entire band hated the V30s I put in my Hiwatt cab when I first got them. Myself included. In fact, the only reason why I kept them was because of what I heard about them needing to be broken in.
They sound a LOT different now.
Other speakers have changes that aren't as profound. AlNiCo Blues, for example. You can definitely hear the speaker smooth out and loosen up. But it's not a night and day change like the V30's. Same thing with Greenbacks. They smooth out, warm up, and loosen up. Nothing huge. I can see how someone may not notice it if they don't know the amp real well.
Most of us are a little bit of player and a little bit of technician. Some sway more on one side than the other. That influences what we hear and what we want to hear (or what we think we should be hearing). As a technician, I can understand that you shouldn't hear a <i>huge</i> difference from the speaker being played for a while out of the box. But as a player, i've heard it with my own ears and I believe it!
-Nick</font id="size1">
<br />Play it. I have been around many professional musicians that make a good living, they get amazing tone and none of them ever "break in" new cabinets. My technician said that the chances of the human ear detecting a differece between a played speaker and a new one at concert volumes is very unlikely. It is not as crucial as some people make it out to be.
<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote"><font size="1">I'm not sure I agree with that. It obviously depends on the speaker...and the amp, and your playing style. But i've heard HUGE differences in speakers out of the box vs. being played for a while. V30's especially. My entire band hated the V30s I put in my Hiwatt cab when I first got them. Myself included. In fact, the only reason why I kept them was because of what I heard about them needing to be broken in.
They sound a LOT different now.
Other speakers have changes that aren't as profound. AlNiCo Blues, for example. You can definitely hear the speaker smooth out and loosen up. But it's not a night and day change like the V30's. Same thing with Greenbacks. They smooth out, warm up, and loosen up. Nothing huge. I can see how someone may not notice it if they don't know the amp real well.
Most of us are a little bit of player and a little bit of technician. Some sway more on one side than the other. That influences what we hear and what we want to hear (or what we think we should be hearing). As a technician, I can understand that you shouldn't hear a <i>huge</i> difference from the speaker being played for a while out of the box. But as a player, i've heard it with my own ears and I believe it!
-Nick</font id="size1">
'71 GRO100 || '96 OR-80 || AD30 || '64 AC-50 || AC-30TBX || Hiwatt DR504 || HI-TONE HT30
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<blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote">As far as breaking in speakers, I always thought it was a myth! Interesting to see that Celestion actually has advice about it...<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">No its true enough. All speakers will break in to a greater or lesser degree. Hi fi speakers too. It seems from a lot of comments including Nicks that the V.30 is one of the drivers where it is most obvious. Others won't be nearly so dramatic. And while the basic overall tone doesn't normally change that much, its usually a case of the sound becoming a bit less tight generally and perhaps the treble in particular smoothing off a bit.
<blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote">How many of us are at concert volumes at any time, even in our professional careers? Most of us play the bar and club scene, and never get past that....<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">And thats not the same as playing concerts?
I guess what you mean is that you don't play deafeningly stupid loud? Which I approve of. If I was playing far too loudly myself I'd just walk out...! [:0]
Andy.
<blockquote id="quote"><font size="1" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote">How many of us are at concert volumes at any time, even in our professional careers? Most of us play the bar and club scene, and never get past that....<hr height="1" noshade id="quote"></font id="quote"></blockquote id="quote">And thats not the same as playing concerts?
I guess what you mean is that you don't play deafeningly stupid loud? Which I approve of. If I was playing far too loudly myself I'd just walk out...! [:0]
Andy.
Only dimly aware of existence, a dimly existing awareness...
You get a wonderful view from the point of no return.
You get a wonderful view from the point of no return.
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